Cool Water tells the story of the fictional town of Juliet, Saskatchewan, a small farming town of approximately 1,000 people near the Little Snake sand hills. Set over the course of a single day, it interweaves the stories of several of the town’s inhabitants – Vicki, a harried mother of six struggling with, and failing at, being the good farm wife as her family faces financial disaster, Norvel, a middle-aged bank manager overwhelmed by the responsibilities of his job and the impending marriage of his pregnant teenage daughter, and Marian and Williard, the past-middle-aged couple facing their feelings for one another after more than a decade of living in the same house, among others.
This is a book that definitely cannot be judged based on its cover (which, lets face it, is less than stellar. Let’s hope it is something they work on for the paperback edition.) It is a book that defies expectation, really, as there is no one single protagonist and no clearly defined problem to overcome/evil character to defeat/pitched climax. It is a book that is startling for what it is: a good and gentle book about average, everyday people, and how a single day can affect those lives. It doesn’t rely on excessive drama or over-the-top revelations to sell itself. Cool Water is a book that sneaks up on you, starting slowly and without great fanfare. Somewhere towards the middle of the book you find yourself caring, truly caring, about the fate of the characters. I found myself desperately hoping that Vicki, the mother of six, would get her housework done for a change instead of heading into town on a misbegotten errand trip, and I sighed in exasperation when she gets in the car anyway, knowing that this cannot bode well. I found myself cheering when Marian, middle-aged and living a quiet and restrained existence with Williard, the brother of her deceased husband, finally makes her first restrained move towards admitting her feelings for him. Simply put, you’ll like these characters and want to see them safely to their homes at the end of a long day.
What I found most interesting about the book, and part of the reason I feel it succeeds so well, is that Warren has a tremendous sensitivity and respect for her characters. She never falls back on the clichés so common to books set in rural locations and she seems to have a unique sensitivity to the challenges and change facing those who live their lives outside of large cities. The people are not hicks, they aren’t dumb, they aren’t trapped. They are people who have chosen this life, difficult though it may be at times. In telling her story she illustrates beautifully how, for the people who live off the land, sometimes there are times of bounty and sometimes there are lean times. It would be easy to make mockery of her characters, to give them the same small town treatment as, say, the TV show Corner Gas, where each character is a character. Even the character of Lila, the banker Norval’s wife, who initially comes across as “the nag” is redeemed, as we see the depth of character when faced with unexpected tragedy. And that is the greatest gift of Warren’s writing, she has a powerful sense of humanity in her writing, and she draws each character as a complete person with hidden depths (without needing to resort to deep, untold secrets or some other device).
Not that she doesn’t understand the gravity of their situation and the extreme actions Blaine has been forced to take. He’d first sold off his herd of Charolais-Hereford cross cattle, and then the bank had insisted on the dispersal of his machinery, and then the sale of all his land except the home quarter. But Vicki’s position is that they should be thankful they still have their house and they can rent out the pasture for a bit of income, every dollar helps. The bank did allow Blaine to keep an old stock trailer and one saddle horse – although not the good mare who would go all day for you, and Blaine claims the horse he kept requires an instruction manual to operate – so at least he can still drive up to Allan Tallman’s place on a Sunday for a little team roping.
Cool Water, page 84
Cool Water is a simply told book – there isn’t a great deal of dramatic description or drawn-out dialogue (it also made it somewhat difficult to find a good quote to pull for a review). I think that it is this simplicity in writing that is part of reason that the book creeps up on you so quietly. There is no gimmick here, and there’s no fancy writing to hide behind. Warren also refrains from the tendency to have a major life-altering event or revelation for each of the characters – yes, for some of the characters this day will bring about great change, but for others the events of the day will cause smaller shifts and the day will just fall back into a landscape of days that make up a life. I think this ability to leave here characters with some resolution – but not too much resolution – is why this book stayed with me long after I had closed the cover.
There are other reviews that compare this book to Annie Proulx or Carol Shields. Oddly enough, I have no desire to compare this book to anything that I’ve read recently – and I think that’s a good thing. It is an unpretentious, understated book about the basic goodness of people. I feel like a better person for having read it, and how often can you say that of a book? I highly recommend it, and can’t wait for Diane Warren’s next book.
You can read Dianne Warren’s terrific guest post here.
If you want a taste of the book, you can read the first chapter here.